The work done on the Moleskine is what it is: black ink on pages inside a black notebook with a final phrase Salud y anarquía.
(Puebla, Mexico 1974) Works and lives in Livorno, Italy
Artist and curator, Juan Pablo Macías explores the relation between system of representation and affectivity. His performances, interventions, work on archives and hybrids function as affective transits that decline discourse as a formal-conceptual structure; instead he produces programs that operate directly on the biological, social and economic bodies.
