“My work for the Moleskine project was the consistent and natural development of my artistic research. In this case, I took the notebook not as a means, but as the end of my artistic practice, regarding it as a discourse in itself. I focused on the doubt that creeps into the mind of the demiurge-architect, who wonders about the limitations of both the individual and post-modern masses. My study develops in opposite but complementary directions: personal freedom and social constraints, which together produce a sort of semiological engine in which the work finds its reason for being.”
(Lecce, Italy 1977) Lives and works in Berlin, Germany
